An Aristotelian Theory of Comedy

Aristotle's Theory of Comedy

<193>Aristotle, in his Poetics, claimed that tragedy, “through pity and fear, accomplishes the catharsis of such emotions (di j ejlevou kai; fovbou peraivnousa th;n tw'n toiouvtwn paqhmavtwn kavqarsin) (Poet. 1449b27f.) .” It has been argued that the medical purgation theory of the musical catharsis in Politics is the key phrase for the interpretation of tragic catharsis, where he says, those w...

A-Theory or B-Theory of Time? An Aristotelian Answer

A Neo-Aristotelian Theory of Interactive Drama

Interactive drama has been discussed for a number of years as a new form of AI-based interactive entertainment (Laurel 1986, Bates 1992). While there has been substantial technical progress in building believable agents (Bates, Loyall and Reilly 1992, Blumberg 1996, HayesRoth, van Gent and Huber 1996), and some technical progress in interactive plot (Weyhrauch 1997), no work has yet been comple...

The Aristotelian proto-theory of design

In comparing deliberation to the analysis of a geometrical figure, Aristotle made a highly significant theoretical statement on design, which has largely gone unnoticed. Through an interpretation of the accounts given by Aristotle and the Greek geometer Pappus, seven features of the method of analysis can be identified, concerning the types of analysis, its stages, its start and end points, the...

An Aristotelian notion of size

The näıve idea of “size” for collections seems to obey both to Aristotle’s Principle: “the whole is greater than its parts” and to Cantor’s Principle: “1-to-1 correspondences preserve size”. Notoriously, Aristotle’s and Cantor’s principles are incompatible for infinite collections. Cantor’s theory of cardinalities weakens the former principle to “the part is not greater than the whole”, but the...